Post by DawnSanada on Mar 17, 2023 22:52:12 GMT -5
Thanks for helping, EmWing!
Kaitai Shinshou
(The easiest way I could translate this title was 'This 17 x 11 cm paperback book is all about deconstructing everything that is Yoroiden Samurai Troopers.'A very blunt translation of this title is
解体 - disassembly; dismantling; deconstruction; dissolution; demolishing
新書 - new book or 17 x 11 cm paperbook book )
解体 - disassembly; dismantling; deconstruction; dissolution; demolishing
新書 - new book or 17 x 11 cm paperbook book )
Remember that these fan translated pages aren't meant to replace buying and owning a copy of this book.
This is done solely to let us Japanese illiterate fans know what these pages say.
If you want to own a copy of this book, pfft, good luck is all I can say.
This small book was included with the BluRay collection sold in 2021, and that was being sold for well past the $400 USD price tag.
This small book was included with the BluRay collection sold in 2021, and that was being sold for well past the $400 USD price tag.
Maybe you'll be able to find an auction that's selling ONLY this one book and nothing else, but I have yet to see that.
Currently any time I've seen any copies of this book being sold, it's included with the BluRay set.
Currently any time I've seen any copies of this book being sold, it's included with the BluRay set.
Here are a few archived links from auction sites to give you an idea of what to look for.
Item.Fril.Jp - web.archive.org/web/20230321224146/https://item.fril.jp/7c9be48f2641363d1131de761a2cd999
thumbnail this pic
Yoroidenサムライトルーバー」は、1988年4月30日より、名古屋テレビをキー局に放映された、サンライズが挑む等身大ヒーローキャラクター作品である。大本となる企画は、サンライズ創立メンバーの1人であり玩具メーカーのタカラ(現・タカラトミー)へと転職し、黎明期のサンライズと玩具スポンサーを繋いだ立役者・沼本清海氏が立案。当初、宇宙を舞合にしたバトルヒーローものだった企商は、沼本氏とは旧知の問柄である「装甲騎兵ボトムス」の高橋良輔監督、そして「科学忍者隊ガッチャマン』のベテラン鳥海尽三氏を文芸の中核に据え、ファミコンゲームや、身大ブロテクターヒーローといったプームも取り入れて、日本のをモチーフにした伝奇的要素を盛り込んだバトルアクションへと、サンライズの手でまとめられていった。
監督を務めるのは、高橋監督作品にて演出手腕を磨いた池田成氏。後半の監督を浜津守式が担当。
キャラクターデザインは、長浜3部作などを手掛ける金山明博氏の協力のもと、高橋監督の思友として活躍した塩山紀生氏が手掛けた。ヒロイックで大胆なタッチで綴られたキャラクターたちの持つ存在感は、本作の大きな魅力である。また本作の人気を支えたスタッフとして、村瀬修功氏の存在を忘れるわけにはいかないだろう。その魔な作画によって注目を集め、OVA「外伝」「螺燈新伝説』ではキャラクターデザインも担当。本作のビジュアルイメージに多人な貢献を果たしている。その後、池田監督と再び組んだ「新機動戦認ガンダムW)でもキャラクターデザインを担当し、大きな誘題を集めた。
ヨロイを着て疲うというある種の荒朽無稽さを備えた基本設定と、始まりの場所である新宿を筆頭に、実在する場所を舞台にしたりアリティのギャップは、むしろ番組本箱の先に広がる作品世界を火いに想起させるものだったのだろう。番組の人気は本米のターゲットである男了小学生のみならず、多くの女性アニメファンを魅了。最えて本編ではほは診られないサムライトルーバーの少作日常は、だからこそ自山に想像する余地が残されていたのだろう。当時コミツにおける本作の存有感は、まさに記録的なものがあり、その人気は少年たちに命を吹き込んだ次役優にも波及していった。その人気に後押しされた結果、作品を超えてアーティらの姿は、ニュースや情報番組でも取り上げられ、90年代へと続く声優でーそうしたムーブメントが、現在のように始丘ぐ活動する声優という眼章を築いたのだった.
1980年代の終わりは、サンライズが「ロポットのサンライス」から、あらゆる種類の作品を手掛ける概合的なスタジャへと脱皮しようとする、変化の時代でもあった。ロボットもので培ったバトルアクションと、キャククタードラマが験合した本作は、その最中に生み出され、30年を経てなお多くのファンに愛されている。ぜひその魅力をBlu-rayの高謝質で確かめて欲しい。
"Yoroiden Samurai Troopers" is a life-size hero character series created by Sunrise and aired on Nagoya TV from April 30, 1988. The original plan was conceived by Seikai Numamoto, one of the founding members of Sunrise, who moved to toy manufacturer Takara (now Takara Tomy) and was a key figure in connecting Sunrise and toy sponsors in the early days of the company's history. Initially, the project was to be a battle hero story with a space theme, but it was later expanded to include a NES game and a large-size "Brotector" hero, with Ryosuke Takahashi, director of "Armored Trooper Votoms" and veteran of "Gatchaman" (Science Ninja Team Gatchaman), at the core of the literary and artistic team, as well as the NES game and a large-size "Brotector" hero. Sunrise's handiwork has been compiled into a battle-action film with a Japanese motif and bizarre elements.
The film is directed by Shigeru Ikeda, who has honed his directing skills on Takahashi's films. The second half of the film was directed by Hamatsumori Shiki.
The character designs were created by Akihiro Kanayama, who worked on the Nagahama trilogy, and Norio Shioyama, a close friend of Takahashi's. The presence of the characters, depicted with a heroic and bold touch, is a major attraction of this work. The staff that supported the popularity of this work includes Shuko Murase, whose magical drawings have garnered much attention. He attracted attention for his magical drawings, and was also in charge of character design for the OVAs "Gaiden" and "Kikoutei Densetsu. He also contributed to the visual image of the film in a multitude of ways. Later, he worked with director Ikeda again on "Gundam W," for which he was in charge of character design and attracted a great deal of interest.
The gap between the basic setting, with a certain absurdity of wearing a yoroi and getting tired, and the real-life locations, notably Shinjuku, where the story begins, and the reality of the setting, probably reminded the viewer of the world of the work that extends beyond the main program box. The popularity of the program attracted not only male elementary school students, the target audience of the program, but also many female anime fans. The daily life of Samurai Troopers, which is not shown in the show at all, was therefore left to the imagination of the viewers. At the time, this work's existence in the Komitsu community was truly record-breaking, and its popularity spread to the next actor who brought the boys to life. The popularity of this work led to the appearance of Artie and others on news and information programs, and this movement in voice acting that continued into the 1990s established the current phenomenon of voice actors working on the first stage of the film.
The end of the 1980s was also a time of change, when SUNRISE was trying to transform itself from "SUNRISE the robot" into a general stager that handled all kinds of works. This work, which combines the battle action cultivated in the robot series and the caktor drama, was created during this period and is still loved by many fans 30 years later. We hope that you will see the charm of this film in the high quality of Blu-ray.
The film is directed by Shigeru Ikeda, who has honed his directing skills on Takahashi's films. The second half of the film was directed by Hamatsumori Shiki.
The character designs were created by Akihiro Kanayama, who worked on the Nagahama trilogy, and Norio Shioyama, a close friend of Takahashi's. The presence of the characters, depicted with a heroic and bold touch, is a major attraction of this work. The staff that supported the popularity of this work includes Shuko Murase, whose magical drawings have garnered much attention. He attracted attention for his magical drawings, and was also in charge of character design for the OVAs "Gaiden" and "Kikoutei Densetsu. He also contributed to the visual image of the film in a multitude of ways. Later, he worked with director Ikeda again on "Gundam W," for which he was in charge of character design and attracted a great deal of interest.
The gap between the basic setting, with a certain absurdity of wearing a yoroi and getting tired, and the real-life locations, notably Shinjuku, where the story begins, and the reality of the setting, probably reminded the viewer of the world of the work that extends beyond the main program box. The popularity of the program attracted not only male elementary school students, the target audience of the program, but also many female anime fans. The daily life of Samurai Troopers, which is not shown in the show at all, was therefore left to the imagination of the viewers. At the time, this work's existence in the Komitsu community was truly record-breaking, and its popularity spread to the next actor who brought the boys to life. The popularity of this work led to the appearance of Artie and others on news and information programs, and this movement in voice acting that continued into the 1990s established the current phenomenon of voice actors working on the first stage of the film.
The end of the 1980s was also a time of change, when SUNRISE was trying to transform itself from "SUNRISE the robot" into a general stager that handled all kinds of works. This work, which combines the battle action cultivated in the robot series and the caktor drama, was created during this period and is still loved by many fans 30 years later. We hope that you will see the charm of this film in the high quality of Blu-ray.
若騎伝ゴーユーV
Legend of the young to ride (a horse, bicycle, etc.) to sit astride
from -
鎧のカラーリングについては、『若騎伝ゴーユーV』の題で提出された初期案の時点では金剛の鎧が紫色であるなど、放送時までに大幅にカラーリングが変更されたものも存在する。またデザインを手がけた岡本英郎によれば、烈火の肩や金剛の胸などに配されている家紋風のエンブレムを始め、自身が本作品以前に参加していた『超人機メタルダー』でのデザイン作業の際のアイディアが多く盛り込まれているという[4]。主人公たち5人の鎧は、後年制作された『MESSAGE』でも新規にデザインが起こされ、より戦国甲冑に近いフォルムへとリファインされた。アンダーギアも併せてリファインされているが、こちらは設定が提示されているのみに留まっている。
Some of the armor coloring had been drastically changed by the time of the broadcast, such as the purple color of Kongo's armor in the initial proposal submitted for the title of "Waka Kiden Go-Yu V". According to Hideo Okamoto, who designed the armor, many ideas from his previous work on "Choujinki Metalder" were incorporated into the design, including the family crest-like emblems on Rekka's shoulders and Kongo's chest.
The armor of the five main characters was newly designed for "MESSAGE," which was produced later in the year, and was refined to a form more similar to that of the Sengoku armor. The undergarments were also refined, but this time only the setting is presented.
The armor of the five main characters was newly designed for "MESSAGE," which was produced later in the year, and was refined to a form more similar to that of the Sengoku armor. The undergarments were also refined, but this time only the setting is presented.
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