Yoroiden Samurai Troopers (Video Version, Africa Volume) M Menu
Details of this creation : (Director Mamoru Hamatsu explains it like this.) The person that the Troopers are fighting is not a demon, nor is it evil. In truth, the one they're fighting is the armor itself. Or, maybe, as viewed by some, they're fighting their very self. The five heroes begin to realize that their passion for unforgivable violence is, in fact, the true nature of the Kikoutei armor. This level of violence was nurtured over many years and was caused by a conflict between the White and Black Kikoutei armors. This desire for conflict isn't their choice or their own consciousness.
Through the hardships of passion, enlightenment, and self-doubt, the camaraderie of the Samurai Troopers begins to rise again.
Mukara, a young warrior from an African clan, and Naria, a beautiful young woman, will appear as guest stars in the four part film to be produced this time.
The music is a key element of the film.
〜 Before and After〜
D - 1 # 1 - C14
A beautiful beach during summer. There are colorful parasols, and lots of people to be seen.
There's something bouncing with the rhythm of "Ben-Ri-Ri-Ri". Increddily bright. ................1,30"
D - 2 # 1 - C37
The glaring sun. The unusual sunshine. The gasp.
Everyone suddenly begins to feel anxious. ............................................. .1,00"
(D - 3) # 1 - C103
Visions of Africa. [discussed later in D-20] ...................................1,15"
(D - 4) # 1 - C143A
The first of the boys transform into their subarmor and move quickly. [M - 76 transformed and thickened] .....30"
D - 5 # 1 - 0147
Mukara's very first appearance! (Can be treated as - 9 intro.)...10
D - 6 # 1 - C163
Byakuen's attack! [The second half of MC - 12 but with more tension.]...30".
D - 7 # 1 - C175
Bass tension. Wonder. [MC - 13's B in bass, but it sounds more eerie.]...30
D - 8 # 1 - C179
Anxiety. [More tense than M - 38, but it's a higher melody.]...40
D - 9 # 1 - C196
Mukara's chase (run) speedy (faster than the Trooper's running speed) [MA - 5's speed, make the whole feeling, including Ro's, more fearless, decent, sincere, and straightforward of an attack.]
Better still, if African essence is included. ....1,00"
D - 10 # 1 - C218
Mukara's boomerang.
Inorganic cold (Made of mineral / black crystal) intro = 5 (pause), then boomerang suddenly appears! The power is speedy, but not light. Go! It has enough energy to destroy a building. ...20
I want to add new music to the transformation of the five heroes.
I want the attack patterns of the five heroes to have more individuality.
(1) I want each of the attack pattersn of the five heroes to have more individuality.
(2) I want them to have different melodies.
(3) For the "sound", I want to move away from the image of antiquity and make it more modern.
D - 11 - 1
Ryou's transformation. [Using motifs from Japan. A theme.].............. .40
D - 11 - 2. 3. 4. 5.
[Using different motifs from Day A theme, Old B theme, New A theme, New B theme. Make four different songs using each motif. (Except for Ryou, the four heroes will be sorted here.)
Don't decide the song title].................................... 40"
D - 12 - 1. 2. 3. 4. 5.
When you've made "transformation music" for each of the five heroes, shorten it, and make all five songs into a cool appearance chord. ...10" each.
D - 13
Decision music after D I - 11 : .......................................... 15"
D-14
The transformation for the warrior Mukara into one black Kikoutei (as explained by Director Hamatsu.) ...........40"
For your reference : The transformation music used for the five heroes, so far, is used for each passionate scene.
D - 15 # 1 - 0275
Feel the killing power. Ear-splitting, high-frequency tension. ............ .30"
D - 16 # 1 - C316
Music for the appearance of the black Kikoutei. (It was like the feeling of Arago's presense, a time of evil. Well, it's something like that.)
D - 17 # 1 - 0337
Ending of Crisis without rhythm. (Because of the African rhythm mentioned below, it could have a rhythm section here, boosting the bass 10)... 50"
D - 18 # 2 - C94
The silhouette. Mukara stands completely still as the shadows drift by. A fearless, controlled warrior. Sharp, cold-blooded, but good-looking. ...40
If "D - 18" is Mukara's "stillness", "D-9" is his "movement".
D - 19 # 2 - 0105
The appearance of beautiful young woman Naria. (For an explanation, see below) [Can be treated as D - 24's intro]......10
D - 20 # 2 - 0210
Other important music points used in all parts of the film, from 1 to 4.
African rhythm. Listen to the local recording first.
[1]Sarambo [2]Possession (UP tempo)
[1] Sarambo-like thing = D - 3 mentioned above.
I want you to put the melody on this rhythm. I'll take the rhythm and melody separately.
D - 20 - A mystical nature........................................................1,30"
D - 20 - B An ethnic melody ......................................................1,30"
(FYI : For the posession in [2], if Mr. King has a similar one, use it.
D - 21 # 2 - C282
Higher tempo for their escape. ...40.
D - 22 # 2 - C331 Kara.
Mukara's rage at its peak. Ending. ...............................20"
Reference : D - 5. 9. 10. 14. 18. 22 are related to Mukara.
D - 23 # 3 - P3
Ryou's question. "This armor could be..."
The intense emotions gradually subsided, and I went to # 3 - P4 Seiji. And then he became calm ..........1,15
After D - 24 # 4 - P24D23, you go from a feeling of calm into a feeling of enlightenment, which transcends reality. It goes to the divine state of forgiveness and love.
There is nothing to be afraid of anymore. ............................................1,30"
D - 25 # 3 - P0
Naria's theme. It's not just a question of what to do, but how to do it. She is like a goddess (I guess?). She is persuasive even in her compassion. ...1,15".
D - 26 # 2 - C224
24 super-slow. Naria's love. Tenderness. (Only B?). ......45"
D - 27 # 3 - P12
Eerie tension. When double bass plays it should make a tense melody?) ...40"
D - 28 # 4 - P
He's mine. "Ryou and the others are dying, how can I..."
Nasutei, Jun, and the others are in a state of grief. I've been waiting for this moment to come for a long time.
It's not the theme version, but it's the one that makes the female fans, who are waiting for this movie, want to cry.
D - 29 # 4 - ?
For Shin, even if it resulted in the other Troopers receiving a near-death blow, Shin rejected the upcoming battle from the beginning. What was in his heart?
He was alone, suffering, and asking himself the same question. ⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯1,20"
D - 30 # 4 - P5
Shin's meditation. I want the hypnotic warmth to give the other four a sense of harmony. A peace and harmony that they'd lost. ⋯⋯⋯⋯⋯⋯40
D - 31 # 4 - P6
The story of the black Kikoutei armor. In the past, Kaosu explained about the secret of the armor.
There is a sense of gravity and dignity for the background music. Ma - 10 . 11 at that time is the same. Ma - 10 . 11 has the same sense of gravity and majesty, but with an African atmosphere and in a different location. ..............................50"
D - 32 # 4 - P17
The End of the Solar System! The end of the Universe! "It reminds me of the collision between the earth and other planets.
It's dynamic and violent!".......2,00
D - 33 # 4 - P20
Battle of the Minors. D - 33 # 4 - P20 minor battle. [Angel's Love Song, an instrumental version, with MB - 16 melody, scaled up and combative] ...... 1,30
<Compiled by Koichi Chiba>
